Monday, March 30, 2009
A Centering Action: Rocket Ritual [spiral #1]
Segments from our First performance A Centering Action: Rocket Ritual on 3.28.09
Directed by: Jeremiah D. Reeves
Main objective: To draw an Archimedean Spiral using a model rocket
APAE Members: Jeremiah D. Reeves, Zion Reeves, Christophre Woods, Kelly Creed, Shane Camfield, Jane R. Fink, Larry Fink, Cynthia Freer
Others in Video:
Gary Emord-Netzley, Annabell & Duke
*Music is: Gorecki - Symphony #3, Op. 36, Symphony Of Sorrowful Songs - 3. Lento - Cantabile Semplice
Sunday, March 29, 2009
Tuesday, March 24, 2009
Rocket Performance 3.28.09
Rocket Performance: A Centering Ritual
Saturday March 28, 2009
12:00pm - 8:30pm
Ann's Farm
6871 State Route 405
Owensboro, KY 42303-9743
For Directions: http://www.mapquest.com/mq/3-zgExeH*1ec2tppqYsuie
Itinerary for Rocket Ritual
03.28.2009
Friday, March 20, 2009
Rocket Action Biographies
Action Potential Arts Experiment
A Centering Action: Rocket Ritual
She also hopes that it can inspire humor and a greater sense of self-awareness opening space for change.
Friday, March 13, 2009
the beauty of imperfection
If someone were to take the time to take a picture of each members face in the group, and match them up symmetrical with the other side, we would be unremarkable. i feel their is something to be said for imperfection. i know i am imperfect and i have no desire to be perfection. thats why i like what the shield and shoes look like, though i may go back and paint my shoes this evening.
Thursday, March 12, 2009
Field Chocolate
Thursday, March 5, 2009
Itinerary for Rocket Action - Sat 3.14. 2009
Itinerary for Rocket Action
For:
12:15 – 12:59 Set-up
Download and Study
Download Here: Neurons
*Excerpt from Brain and Behavior by: Bob Garrett
Wednesday, March 4, 2009
Armor and whatnot. . .
I also think it is important for everyone to know what action potential is and how it occurs. These are some notes that I took from an old Biopsychology book that I think might be helpful:
-The action potential is an abrupt depolarization of the membrane that allows the neuron to communicate over long distances.
-The potential across the resting neuron membrane is stored energy. Imagine countless sodium ions being held outside the neuron against the combined forces of the concentration gradient and the electrical gradient. Opening the sodium channels allows the Na+ ions in that area to rush into the axon at a rate 500 times greater than normal; they are propelled into the cell’s interior so rapidly that the movement is often described as explosive.
-Just as abruptly as the neuron “fired,” it begins to recover its resting potential. At the peak of the action potential, the sodium channels close, so there is no further depolarization. About the same time, the potassium channels begin to open. The positive charge inside the membrane and the force of the concentration gradient combine to move K+ ions out; this outward flow of potassium ions returns the axon to its resting potential. The action potential and recovery require about a millisecond (msec, one-thousandth of a second) or so to complete.
-The action potential causes nearby sodium channels to open as well. Thus, a new action potential is triggered right next to the first one. That action potential in turn triggers another farther along, creating a chain of action potentials that move through the axon; thus a signal flows from one end of the neuron to the other. Nothing physically moves down the axon. Instead, a series of events occurs in succession along the axon’s length.
-Action potential operates on the all-or-none law, which means that it occurs at full strength or it does not occur at all. A larger graded potential does not produce a larger action potential; like the fuse of a firecracker, the action potential depends on the energy stored I the neuron. Also, it is non-decremental; it travels down the axon without any decrease in size, propagated anew and at full strength at each successive point along the way.
From my perspective, the name of our group is not just a name at all. It is a process. It has a direct relationship with who we are and we are doing with this project. I also thought this information might help us develop some ideas for movements during the performance.
Tuesday, March 3, 2009
more about ghosts
my thought about the mask that i purchased is that it can be nearly purely cosmetic because i intend on making a shield to protect myself from the rocket. the mask is mysterious and expressionless which i feel adds to the overall feel that i want to create. i wanted a paintball mask but budget problems prevented that. so, i will begin work on my shield soon and post what it looks like here. any thoughts?